The resulting album, An American Prayer, sold well but was critically savaged. Less successful as an artistic direction for the band was the decision in 1978 to take audio of Morrison doing poetry and have the surviving members of The Doors do musical backing. The albums get short shrift in terms of the Doors oeuvre, for understandable reasons-though songs like the post-Morrison single " Tightrope Ride" certainly are a lot stronger than you'd expect-but Krieger noted that there was a surprising amount of demand for the two records among fans, leading to the re-release. (They were also still fairly young-Krieger was just 25 at the time of Morrison's death.) So we had to make the decision-do we just give up and go our own ways, or, we had this great band musically and at that point we still got along really well and so we decided, 'Hey, let's just record this stuff and see how it turns out.'" "Obviously we weren't going to replace Jim, 'cause it wouldn't be fair to try and do that.
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"That was kind of a weird time, because it's really all we knew how to do," Krieger explained. In an interview with Billboard back in September, Krieger noted that the reason the records existed was because the band's members were unsure how else to handle the loss of Morrison. The albums were recently re-released in a remastered two-CD set. With a personality as strong as Jim Morrison at the front of The Doors, it seems a little surprising that the band was able to keep going after Morrison died from an apparent heroin overdose in July of 1971.īut the band's three remaining members-Ray Manzarek, Robby Krieger, and John Densmore-were already back on store shelves that October, with a release titled Other Voices. The Doors made two studio albums after Jim Morrison died (Reed left the band before the release of Loaded.)
And second, it should be noted that Lou Reed himself didn't appear that upset-he later asked Yule to perform on some of his solo records. But two things should be noted about this: First, if anyone was doing the co-opting, it was manager Steve Sesnick, who pushed Yule to do the record in the first place. It's been heavily criticized ever since its release, due to the fact that Yule appeared to be co-opting the band's name for his own purposes. Doug Yule, a member of The Velvet Underground during the latter part of its existence, discussing with PopMatters his reasoning for making Squeeze, the 1973 record that didn't feature any of the band's original members. So I look at Squeeze as being, it’s like the equivalent of a tenth grade term paper, it’s a piece of work that I did, it’s not my best work, but it shows a lot of where I was going." But me, I had to learn it it took me a lot of years to learn it. "I mean Lou is a very talented guy, he learned how to write words when he was very young and he had an innate ability to adapt music to his needs and to create songs out of the notes that were available to him.
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